Tuesday, March 1, 2011

Celebrities and corporations

New media theorists (like techno-enthusiasts) have accepted the idea that networked communications are characterized by distributed, peer-to-peer, personal, immediate, ubiquitous communication (the repercussion here is that the internet is not like television and not like cinema). The basic idea: people use their networked personal media devices to talk about themselves and to connect with their friends. People want to know what their friends are doing and they want to tell their friends what they are doing.

The basic debate among new media theorists has concerned the political, economic, and cultural impact of these practices. So, theorists have taken sides over whether these practices are democratic (or whether they have liberal or conservative tendencies), whether they enhance the economic prospects of most people (who can make money?), and whether the culture is more heterogeneous or homogeneous, stagnant or vital. 

Hearing comments in our class, though, I'm starting to wonder if our (new media theorists) basic assumption is wrong (or, another way to put this, I'm starting to think that my diagnosis of capture in affective networks is so right that no one even cares anymore or can even imagine that digital networks would function in any other way). Why? Because the default mode of (your? mainstream culture's? students?) thinking is in terms of corporations, celebrities, and consumption (or so it starting to seem to me based on comments in class). People seem basically to identify with the needs and desires of celebrities for celebrity and corporations for profit and consumers for consumer goods. For example, it never would have occurred to me think of Twitter as first and foremost a vehicle for the distribution and contribution of nuggets of celebrity, even as I recognize that the business of mass culture uses Twitter (and other platforms) to good effect (and even though I just saw the really great Justin Bieber where he uses Twitter to generate and connect with fans).

So, on the one hand, it seems that you assume that new media are primarily celebrity, corporate, consumer access devices. But I think there is another hand, that is, I think that you also assume that there is something vaguely democratic and free (liberatory) about networked media. If you think this, then it makes sense to worry about the effects/impact of the first hand (celebrity, corporate, consumer). But if you only think of new media in terms of the first hand, then you have to figure out what opportunities there are for critique, change, freedom, politics, etc. Differently put, if you think about new media only in terms of the first hand, you'll have to grapple with the repercussions for subjectivity. One site/cite for this is the notion of "whatever being" that I develop in chapter 3.

3 comments:

  1. I do not think I would describe network media as totally free. The reason is because if we take these access devices, such as Twitter; which are used by these celebrities and corporations as an outlet to generate 'false relationships' with consumers to generate money; which is something I believe you mentioned earlier. To touch on this notion of network media being free, lets take a look at Justin Bieber. Bieber is free to use his medium--Twitter, to communicate with fans in a way that the people of Twitter set it up to be (which is not necessarily free because although he can say for the most part anything he wants, he still has to follow a structure thus limiting this 'freedom'). Furthermore, Justin Bieber is not using this medium to communicate with fans because he is a caring guy that wants to be closer to his fans. Instead it is with the goal to generate enough followers so when he drops My World 3.0 (I exaggerate of course) he has enough supporters to go and buy his product, thus generating more money for the top of his record company. Whether or not this is a good or bad this is debatable (which is what I what I was trying to say in class). Also, correct me if I am wrong but this leads into what you were talking about, with the internet playing a role in inequality.

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  2. Who said it is a "false relationship"?? seems like a perfectly legitimate one to me. Everyone trying to sell something has some sort of relationship with those he is selling to. The notion of what a relationship is has changed, that doesn't make it false.

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  3. Shane--I like the way you point to inequality. Another way we can put the point, is that given the ways free choice and preferential attachment generate powerlaw distributions in complex networks, the free use of networked media by celebrities (and corporations, advertisers) leads to the generation of masses; these masses have network effects, redirecting exchanges away from personal communications and toward top down (celebrity/fan) exchanges. This is both a product of inequality and it generates further inequality (the dynamic generates inequality).

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